Advanced Search

Journal Navigation

Journal Home

Subscriptions

Archive

Contact Us

Table of Contents

Click here to sign up for SAGE Journal Email Alerts today!

Sign In to gain access to subscriptions and/or personal tools.
Sociology
This Article
Right arrow Full Text (PDF)
Right arrow References
Right arrow Alert me when this article is cited
Right arrow Alert me if a correction is posted
Right arrow Citation Map
Services
Right arrow Email this article to a friend
Right arrow Similar articles in this journal
Right arrow Alert me to new issues of the journal
Right arrow Add to Saved Citations
Right arrow Download to citation manager
Right arrowRequest Permissions
Right arrow Request Reprints
Right arrow Add to My Marked Citations
Citing Articles
Right arrow Citing Articles via HighWire
Right arrow Citing Articles via Google Scholar
Right arrow Citing Articles via Scopus
Google Scholar
Right arrow Articles by Blair, H.
Right arrow Search for Related Content
Social Bookmarking
 Add to CiteULike   Add to Complore   Add to Connotea   Add to Del.icio.us   Add to Digg   Add to Reddit   Add to Technorati   Add to Twitter  
What's this?

Winning and Losing in Flexible Labour Markets: the Formation and Operation of Networks of Interdependence in the UK Film Industry

Helen Blair

Royal Holloway, University of Londonhelen.blair{at}bbc.co.uk

Employing the Eliasian concepts of figuration and networked agency, this article explores the responses to labour market uncertainty of freelancers working in the British film industry.Arguing that labour process theory has yet to adequately theorize a contextualized agent, Elias’ framework is proposed as a resolution, with the concept of figuration providing a more agential notion of structure while retaining power inequalities in relationships.Tensions are also identified in the framework, in particular with reference to Elias’ treatment of the individualization process, and these will require further exploration of the two frameworks to assess compatibility.

Key Words: agency • Elias • film industry • network • subjectivity

Sociology, Vol. 37, No. 4, 677-694 (2003)
DOI: 10.1177/00380385030374003


Add to CiteULike CiteULike   Add to Complore Complore   Add to Connotea Connotea   Add to Del.icio.us Del.icio.us   Add to Digg Digg   Add to Reddit Reddit   Add to Technorati Technorati   Add to Twitter Twitter    What's this?


This article has been cited by other articles:


Home page
Work Employment SocietyHome page
M. Roderick
A very precarious profession:: Uncertainty in the working lives of professional footballers
Work Employment Society, June 1, 2006; 20(2): 245 - 265.
[Abstract] [PDF]


Home page
Prog Hum GeogrHome page
C. Gibson and L. Kong
Cultural economy: a critical review
Progress in Human Geography, October 1, 2005; 29(5): 541 - 561.
[Abstract] [PDF]